Classic Space: 1999: To Everything That Was - Remastered Works from the Comics Archive (1975-1979) #[nn]

Features revised scripts and art compared to the original publications in Look-In, [Space: 1999 [magazine]](app://series/2209) and Space: 1999. Andrew E.C. Gaska updated the scripts and Miki, David Hueso, G. P. Mogorrón and Lidia Fernandez Abril revised the art. Black and white art has been colorized, panels have been shuffled around occasionally, and new art has been added. Stand alone stories have been split and re-combined into longer stories. Two page "title sequences" have been inserted along with creator credits. The first page of the title sequence is always a montage of panels from the story it's found in, and the second page always features the same panels regardless of the story. So, the page count doesn't match the original serialization's - the first story here is 18 pages compared to 16 in Look-In for example. To anyone who has the Look-In stories, they need to be verified in detail for any changes made. See the notes on the Charlton stories below for examples of edits made to them; often actors' likenesses were changed.

Further complicating matters of credit is these remastered stories were originally published in Space: 1999: Classic (Archaia Studios Press, 2012 series) #1-11 from 2012-2013 (digital only?) 7 of the 11 issues would feature two stories with some serialized over two issues. The credits for both stories in those issues would be combined, and displayed over the title sequence previously mentioned in the first story in those issues. However, the stories in this trade aren't always in the same order as they were in the 11 issue serialization, and it appears the credits were not always updated accurately. As an example Vicente Alcazar is credited in the second story, The Long Man, in the trade, which is carried over from the credits in issue #5 when he illustrated the second story, The Old Gods Are Not Eternal, in that issue. This story does not follow The Long Man now, and is found elsewhere in the trade. To make any sense of things, the original serialization had to be looked at to see who did what. To anyone re-verifying credits in the future, ignore the credits in the trade. Errors have been noted where they are known.

Small edits to text placement or captions, and sometimes to the colors have been made between the serialization and this trade.